The first sentence on the accompanying press sheet here is: “Anubis Rising is dead.” My immediate thought was ‘why should I bother with this then?’ However, I read on to discover that this label, Uncouth Industries is simply re-releasing some music that they feel is special and are unwilling to totally let go of. They are hoping to still spread the word and promote this band, despite the fact that they are no longer active in the metal scene.
Anubis Rising was formed in 1999 in Los Angeles, California. Their influences stem from bands such as Neurosis, Isis, and Amebix. While they played throughout various cities/towns in their home state, the live impact of this band never reached any further. Why Anubis Rising has thrown in the towel; no explanation is offered.
Funerary Preamble has 11 tracks altogether, although only 10 tracks are named. The first 4 songs, “Funerary Preamble,” “Firmamentum, “Rumsprigan Segue,” and “Pleasure to Burn” are from the 2004 Funerary Preamble EP, the next three songs, “Personification of Time,” “Extinguishing Fire in its Season,” and “Crook and Flail” stem from the 2002 Scales of Truth EP, then the last three songs, “Infinite Self-Perpetuation,” “Wander in the Shadow-Realm,” and “Atrocious Sorridness” stem from the 2001 Uphill Battle Split. Finally, the 11th and untitled track claims only that it was previously unreleased and originally recorded and written by Eyehategod.
The only members that seem to be consistently listed are vocalist/guitarist Sacha Dunable and drummer, Alex Bytnar.
The opening track, which is also the title track, has some dreary, sludgy and almost spacey music. The recording is raw but not crappy. Raging harsh vocals of a black metal style (but not screechy like COF or similar bands) claw to the fore adding a strange but not unappealing contrast to the slower music. Some harmonizing cleaner vocals appear in the middle with music that sounds like late 60’s/early 70’s space rock.
The next track, “Firmamentum,” boasts deeper, more guttural vocals that are half whisper-half growling on top of more despairing heavy music.
“Rumsprigan Segue” is a doomy instrumental akin to early Black Sabbath (at first anyway).
“Pleasure to Burn” starts with a drum intro followed by more heavy but spacey 70’s music and black metal vocals. Some of this music can honestly bring to mind afros and bell bottoms. I swear that although it’s weird, it’s kind of cool too. (Break out the black lights! This is extreme/doom metal you can almost relax to!)
The three songs from the Scales of Truth EP feature vocals that are rawer, more blatant black/death. While the music is still doomy and heavy, the 70’s space rock sound isn’t as prominent here (at least not until track # 7, “Crook and Flail.”) These tracks have an overall more heavy metal sound with some livelier thrash riffs.
The rest of this CD carries on in a pretty consistent fashion, including the ever-present dismal acoustic guitar passages.
A melancholy bass solo leads into “Atrocious Sorridness,” giving me that old Black Sabbath-y feeling again. It is 4 minutes into the song before the vocals even begin. Once again, mostly bm/dm style. Thrashy death metal elements make this ultimately one of the heaviest tracks on this entire CD.
Dismal is the best word to describe the music of Anubis Rising, laden with some heavy doom-filled riffs. On top of all this, there are lyrics like some dark and occasionally morbid beatnik poetry. Very interesting stuff. I can almost imagine the dark smoke-filled room of the club while the band performs their unique concoction of 70’s space rock meets extreme and doom metal.
In conclusion, I tend to agree with those at Uncouth Industries. It is actually a shame that Anubis Rising no longer exists. Although this isn’t something I could listen to often as it just isn’t my general taste, it did capture my attention in a more positive way than I expected it to. Judging by this release, Anubis Rising certainly seemed to have something all its own going on.
For more info, contact Uncouth Industries at: P.O. Box 7547 Santa Maria, CA. 93456 U.S.A. and/or http://www.uncouth-industries.com. You can also contact the band at: Thesachanator@aol.com.
(Lisa R. Rosner)